Astor Piazzolla: A Memoir This book is based on many interviews between Piazzola and longtime journalist
admirer, Natalio Gorin. These interviews took place in the spring of 1990.
After the first edition of the book was completed, the memoirs soon took
their place as a source of inspiration for fans of Piazzolla. The book
reveals in wonderful imaginative detail, the life and loves of the famed
composer and bandleader.
American popular music critic and translator Fernando Gonzalez, an Argentine
native, who covered Piazzolla's career in the United States, has generously
annotated the Amadeus edition for the ever- widening audience of Astor
Piazzolla. The Dean at Berklee college of Music, in Boston, MA, and world-renowned
jazz artist, Gary Burton, tells about his recollections of Astor Piazzolla
in the volume for the first time. There are also conversations with famed
cellist, Yo-Yo Ma, as well as Gidon Kremer, and other renowned musicians
who still perform Piazzolla's works on their classical programs, as Piazzolla's
fan base continues to grow. Natalio Gorin has been a journalist for more than 30 years, working at
several prominent publications in Argentina, including the daily Clarín,
the largest newspaper in the country. His passion for tango and especially
for Astor Piazzollas music led him into extensive investigations
of the composers life and work. They met in 1971 and became personal
friends until Piazzollas death in 1992. Gorin resides in Buenos
Aires, Argentina Review by Ben Kettlewell
information:![]()
written by Natalio Gorin
Translated, annotated, and expanded by Fernando Gonzalez
( Amadeus Press ISBN 1-57467-066-2)
Publication date: October 2001
The
colorful "King of the tango", Astor Piazzolla, was a extraordinary,
iconoclastic tango musician and composer, and over time he has become
a national hero in Argentina and a cult figure for classical and jazz
lovers worldwide. This acclaim, however had it's price --a life filled
with controversy and struggle. As a composer, arranger, and bandoneonist,
Piazzolla's specialty was the music of Buenos Aires; the tango. Piazzolla,
to the amazement of his peers, composed tangos that were not for dancing.
His complex tangos contained a melodic and rhythmic complexity that drew
adoring crowds of classical music lovers as well as fans of contemporary
popular music. This gift translated itself into many songs and compositions
that have become modern classics of the Tango repertoire. Piazzolla, who
died in 1992, was born in Argentina in 1921, spent his early years on
the Lower East Side of Manhattan, and returned to Argentina at age 16.
You cannot bypass the contribution Astor Piazzolla has made to the world
of contemporary music and to Tango music in particular. Piazzolla incorporated
musical influences as diverse as jazz, contemporary classicism, and Italian
opera, into a hybrid he dubbed Nuevo tango (New tango). During
his long illustrious career, Piazzolla recorded almost fifty albums, and
performed for packed auditoriums and concert halls around the world.
The
authors meticulously cover Piazzolla's years working in New York and Europe,
especially the times spent in Paris and Rome. The book also goes into
a great deal of detail about Piazzolla's growth as a composer and bandoneonist,
his two marriages, his wonderful relationship with his children, and his
recording sessions with such artists as saxophonist Gerry Mulligan and
vibraphonist Gary Burton. The authors constructed their book from 220
interviews with Piazzola's family, friends, and fellow musicians. With
great affection and sensitivity, the authors define Piazzolla's place
and relevance in the world of twentieth-century music.
.
Translator and annotator Fernando Gonzalez is a regular contributor to
The Washington Post and a columnist for Down Beat magazine. He was arts
and culture writer and pop music critic for The Miami Herald and jazz
and world music critic for The Boston Globe, and for many years reported
on Astor Piazzollas career.
website: http://www.amadeuspress.com
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