Eclectic Expanded
Sample CD ROM,available in Kurzweil or ISO 9660 format
(Bolder Sounds, retail price $129.95, upgrade $59.95)
Dennis
Burns, owner and sound designer for Bolder Sounds, along with programming
help from Dave Walker of Ontario, Canada, and Jon Stubbs of Boulder, Colorado
has created a new expanded revision of the popular "eclectic" sample collection with lots of new samples, and great improvements in
the programming of the sample data. Given the amount and quality of data
supplied on the CD, the price is very reasonable.
All in all, there are approximately 397 MB of new audiophile quality sound
banks. The banks are comprised of 33 programs of Plucked Instruments,
25 programs of wind Instruments, 5 programs of Bass Instruments, 24 Mixed
Percussion programs, 7 Keyboard programs, 3 Synthesizer programs, and
12 Miscellaneous programs comprised of exotic instruments, such as a generous
19.6 MB sample of a bullroarer, two sets of Crystal Glasses, one running
at nearly 30 MB, a 22 MB sample of a Hurdy Gurdy built and played by Tom
Wasinger, a 3.7 MB Jaw Harp, a 2.7 MB Lightening Strike, and a Percussive
Syllables library created by Hearts of Space recording artist Bill Douglas.
This set is comprised of a 2.2 MB Psaltery, a 7.7 MB Train Crossing, a
2.6 MB Ukelin, and a 1.6 MB Zeta Electric Cello. There are also close
to 30 excellent "world" percussion samples in this set, which
include the best singing bowl samples I've ever heard. There is also a
well constructed set of Persian drum loops in the percussion group that
really stand out as highly usable creative programs. In the plucked section,
the 30 MB autoharp set, sounds better than a real Oscar Schmidt autoharp
sitting here in the livingroom.
There are two generous Bozouki samples for programmers and composers interested
in world music and middles eastern flavors, a beautiful 11.4 MB hammered
dulcimer, and my favorite, 17 MB of impeccably recorded Mandola samples.
The best banjo samples I've ever heard are also in this set. Burns sampled
15 MB of a Deering Banjo which he recorded in stereo with a set of Nueman
KM 183 omni mics. One of the really cool highlights of these banjo samples
is that on the note G2 you'll notice there is a high G note in the keymap.
This represents the 5th string of the banjo which is placed in what would
normally be the position for a bass string. When banjo players do "rolls"
or "frailing," this note is played with the thumb pick as the
bottom note of an arpeggio, even though it's a high note. Boulder sounds
suggests hold down the sustain pedal, while playing a G2, then any series
of 3 notes in a repetitive arpeggio (with the sustain pedal still down)
it's quite an effective emulation. I tried it on a traditional bluegrass
tune I know, "Little Sadie", and if you had your eyes closed,
you would swear there was a real banjo in the room. Amazing! Since I've
owned a Taylor 812 since 1974, it was great to see that the samples of
steel string guitars were Taylor. Great taste Boulder :) Luckily, I still
like my vintage 812 better, but Dennis Burns does a great job of capturing
the essence of Bob Taylors magic.
Some highlights in the wind section are a huge 20 MB bagpipe sample by
Pat O'Kelly playing the highland pipes. The modulation could have been
a wee bit more realistic, but over all, I'll give the lads credit. They
did a fine job. While we're talking Celtic, I must not forget the 8.3
MB Uileann pipes. After working on an album for Celtic singer, Maireid
Sullivan, featuring Eric Riggler, the piper for Titantic, and Braveheart,
and dozens of albums, this is the only sample that I felt fell short on
the album. While it sounds vaguely like a real Uileann pipe, the sampled
version lacks the dynamics and modulation that make the instrument so
unique. I tried, but no amount of pitchbend, or slider modulation on the
K2000 could make this thing sound real. But one lukewarm sample in a large
collection like this isn't a minus.
Other highlights from the disc include a large 29.7 MB Yamaha C7 grand
piano. This is the same Yamaha Grand featured on the Bolder Pianos sample
disc, and is warm, realistic, and brilliantly programmed. Bright and dark
programs are represented here, as well as timbre shifting.
My favorite synth sample was the Roland JD 800 sample called Forest. It's
a perfect pad for ambient music or film scoring. The thick rich OB8 sample
was also well done, possessing all the warm fat qualities Oberheims were
famous for creating. It would be hard to pick out a favorite bass. They
are all excellent, although the 11.8 MB Zeta Electric Bass is superb.
It sounds as rich and clear as the real thing, with great dynamics.
There are many more great samples in this collection; far too many to
describe in detail. The documentation is excellent, augmented by detailed
descriptions of the samples on the Bolder Sounds website. Once again Bolder
Sounds have produced a very solid sample CD, and I highly recommend the
collection.
Review by Ben Kettlewell
information:
website: http://www.boldersounds.com/
email: sales@boldersounds.com
Bolder Sounds
3156 9th Street
Boulder, CO 80304
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