Robert Rich
'Seven Veils'

( Hearts of Space/Fathom HO86-2)

After several listening sessions, I believe this is the most demanding album project of Robert Rich's career. Enhancing the atmosphere of Seven Veils, Rich incorporates keyboards, steel guitar, flutes, and the ever present primal drums. This album captures Robert at the height of his prestigious career. In terms of sheer emotional power and mesmerizing ambiance's, this new offering would be hard to beat. Seven Veils, like its title is artfully woven in layers of musical and metaphysical and mysteries, and each time it is heard, more can be uncovered. Rich's chosen focus as a composer is sound driven by his intense response to music from Middle and Far Eastern cultures and its many expressions of musical tradition, its well its his "perception of awe for the Universe ... and how small we are" as bits of living matter in the Pent dish called Earth. The seven-track release reflects Rich's interest in nonwestern must( and those elements find their wily into his work. Particularly infected by North African/Egyptian trance Persian, North Indian classical and Indonesian gamelan music, Rich wanted to utilize himself "as a crucible to melt together these influences into something thin feels personal." Seven Veils conveys Middle Eastern music's 's ecstatic element open to the honest ecstasy within itself, and in resultant tonal ' magic that enthralls so many Western listeners, "Unlike a lot of Western adaptations of non Western music," adds Rich, "I am adopting musical vocabularies undigested but absorbing them and trying to make them into my own voice 'Seven Veils can be heard its an expression of an individual searching for truth, and not a pastiche he recognized as it bunch of other cultures' music. Rich "wanted every note to be honest-- obvious references to established ethnic styles. With collaborators DAVID TORN on guitar, HANS CHRISTIAN (who also records with Robert's group, Amoeba) playing cello, FORREST Fang's gypsy violin, MARK Forry's Balkan kaval and the fretless bass of ANDREW McGOWAN, Rich mixes in his own keyboards, steel guitar, flutes, and the prevalent drums, which serve as the heartbeat amid the flow, of Seven Veils. Rich's production is pristine, making this art audiophile-quality recording, allowing the listener to differentiate between each acoustic and electronic element, yet feel enveloped by the "warm and inviting whole.

Rich is cultivating a seamless blend of body music with Seven Veils. Merging physical, conceptual an mystical elements the music strives for ecstasy while staying grounded in a Irish sell sensuality. By incorporating riot regurgitating, the vocabularies of nonwestern music and traditional truths in his original fashion, Robert Rich's Seven Veils is it balance of body music in which we find honesty and ecstasy.

Review by Ben Kettlewell 

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